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For the love of whisky

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  some of the illustrations for the video- ink and pencil on tracing paper A collaboration with a fellow student at the University of Dundee, George Epaku, who is studying a phd in Life Sciences and wrote the story that I animated through drawings.  Reflecting on an ecological issue in the farming and crop industry- the video illustrates George's theory about using less fertilizer to achieve better results as well as reducing the impact of pollution on the air.  The video deals with the story in a cartoonish and lighthearted style, where each scene was hand-drawn, photographed and subsequently edited/animated with Photoshop.

Wax fossils

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  Material experiments:  Candle wax, papers, leaf, acrylic on cardboard  14x16cm carving shapes into the wax applying black acrylic, followed by whyte acrylic onto the wax to highlight the carved marks

Free-standing figures cut-out: work in progress

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  Drawing over and cutting an A3 cardboard Second stage: painting surfaces

Embrace: Process

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                                  Pen and acrylic collage on paper;             Pen and acrylic on thin Japanese paper glued on A4 paper   Final piece: Acrylic, pen on paper collage on acetate paper

flesh&bone

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flesh &bone , mixed media, rope, plaster, 2021 -----------------------------------------------------------------------------------------------------------------------------                                                              Process documentation   1: assembling pieces of cardboard I am working on adding more textures on the assemblage and I also started painting over the piece. It is taking a lot of time and effort as I need to look and consider it from different angles to make a balanced composition. 2: free-standing sculpture colouring and texturing stage  Painting stage of the sculpture is taking long, working on finding different entangled body forms. Adding materials to create different textures, developing into a complex structure that is difficult to read- I could improve on this by cutting more defined shapes and using more colour contrasts   3: Covering the free-standing collage with modrock and plaster, followed by colouring the surface with acrylic paints