Painting stage of the sculpture is taking long, working on finding different entangled body forms. Adding materials to create different textures, developing into a complex structure that is difficult to read- I could improve on this by cutting more defined shapes and using more colour contrasts
giovedì 10 giugno 2021
flesh&bone
mercoledì 9 giugno 2021
Internal Exposure
Internal Exposure. mixed media: wall pieces and sculpture, 2020-2021
Process: working towards the final degree show
-The piece is more sturdy and stable as I glued the separate figures on one large piece of cardboard from which I then cut out the unnecessary spaces.
-The piece also includes a 3d element: I paper-mached a hollow shape made with wire and glued it on top of the torso of one of the figures. I then also experimented with adding string that comes out of this, to further extend the piece in the surrounding space.---I was thinking more about how to exend/project the work into the surrounding space as a way to metaphorically opening up the body in space- and to combine previous sculptural work with the flatness of the collage piece
animating solutions
I recently collaborated with George Epaku, a PhD student at the University of Dundee, to create a short hand-drawn animation addressing the ...

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Acrylic paint on paper, varying sizes Exploring the concept of multiple identity by working with multiple layers In these paintings I...
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flesh &bone , mixed media, rope, plaster, 2021 Process documentation 1: assembling pieces of cardboard I am working on adding more ...
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Christian Boltanski The Reserve of Dead Swiss, 1990, Mixed media “Monument Odessa”, 1991, Mixed media The themes Boltanky works wi...